Byron Berline, the acclaimed bluegrass fiddle participant who expanded the vocabulary of his instrument whereas additionally establishing it as an integral voice in country-rock on recordings by Bob Dylan, the Rolling Stones and others, died on Saturday in Oklahoma City. He was 77.
His loss of life, in a rehabilitation hospital after a sequence of strokes, was confirmed by his nephew Barry Patton.
Mr. Berline first distinguished himself as a recording artist when he was 21 on “Pickin’ and Fiddlin’,” an album of old-time fiddle tunes set to modern bluegrass preparations by the modern acoustic quartet the Dillards. The album options Mr. Berline’s closely syncopated taking part in, together with lengthy bow strokes that incorporate a couple of notice at the similar time.
Later in the decade, Mr. Berline’s lyrical phrasing was heard on pioneering recordings by country-rock luminaries like the Flying Burrito Brothers and the duo Dillard & Clark, that includes the Dillards banjoist Doug Dillard and the singer-songwriter Gene Clark, late of the Byrds. He additionally recorded with Elton John, Rod Stewart and Lucinda Williams, amongst many others.
Weaving parts of pop, jazz, blues and rock into an old-timey method to his instrument, Mr. Berline contributed instrumental picks to Bob Dylan’s soundtrack to Sam Peckinpah’s 1973 anti-western, “Pat Garrett and Billy the Kid.” He additionally overdubbed Nova Scotia-style fiddle on the Band’s 1976 single “Acadian Driftwood” and performed on the albums “GP” (1973) and “Grievous Angel” (1974) by Gram Parsons, the country-rock progenitor and founding member of the Burrito Brothers.
Mr. Parsons beneficial Mr. Berline for what would develop into undoubtedly his most well-known session look: the freewheeling fiddle half he added to “Country Honk,” the Rolling Stones’ down-home tackle their 1969 pop smash “Honky Tonk Women.” Recorded in Los Angeles, the track was included on “Let It Bleed,” the group’s landmark album launched that December.
“I went in and listened to the track and started playing to it,” Mr. Berline stated of his expertise with the Stones in a 1991 interview with The Los Angeles Times.
When he was summoned to the management sales space, he recalled, he feared the band was sad along with his work. Instead, they invited him to recreate his efficiency on the sidewalk alongside Sunset Boulevard, the place the Elektra studio, the place they had been recording the observe, was situated. Hence the automotive horns and different ambient road sounds captured on the session.
“There was a bulldozer out there moving dirt,” Mr. Berline stated. “Mick Jagger went out himself and stopped the guy.”
But Mr. Berline was not merely famend for his work accompanying different artists; he was thought-about a musical visionary in his personal proper, offering management to, amongst others, the progressive bluegrass band Country Gazette.
Mr. Berline was simply 21 when he drew discover for his work on an album of old-time fiddle tunes by the modern acoustic quartet the Dillards.
In 1965, after listening to his taking part in on “Pickin’ and Fiddlin’,” the folklorist Ralph Rinzler invited Mr. Berline and his father, a fiddler himself, to look as a duo at the Newport Folk Festival.
While at Newport, Byron additionally had an opportunity to jam with the singer and mandolinist Bill Monroe, broadly thought to be the father of bluegrass, who invited him to develop into a member of his band, the Blue Grass Boys. Then a pupil at the University of Oklahoma, Mr. Berline demurred; after finishing his diploma, he joined the Blue Grass Boys two years later.
Mr. Berline spent just a few months with Monroe earlier than being drafted into the Army, however bluegrass aficionados regard two of the three songs he recorded with him, “The Gold Rush,” written with Monroe, and “Sally Goodin,” as matchless performances.
Mr. Berline was the winner of three nationwide fiddle competitions and a member of the National Fiddler Hall of Fame.
Byron Douglas Berline, the youngest of 5 youngsters of Lue and Elizabeth (Jackson) Berline, was born on July 6, 1944, in Caldwell, Kan., close to the Oklahoma border. His father labored a farm and performed banjo and fiddle at barn dances and different occasions. His mom, a homemaker, performed piano.
Young Byron began taking part in a three-quarter-sized fiddle when he was 5; he gained his first public competitors at 10, outplaying his father. Among his early influences was Eck Robertson, the first old-time fiddler to look on file.
A gifted athlete, Mr. Berline earned a soccer scholarship to the University of Oklahoma, the place he enrolled in 1963, solely to fracture his hand that fall. The harm induced him to give attention to music, though he maintained his athletic scholarship by becoming a member of the observe staff as a javelin thrower.
Mr. Berline attracted the consideration of the Dillards whereas taking part in in a campus folks group at Oklahoma. They invited him to play on “Pickin’ and Fiddlin’.” After graduating from faculty in 1967 and finishing his navy service in 1969, Mr. Berline moved to Los Angeles along with his spouse, Bette (Ringrose) Berline, at the urging of Doug Dillard, who recruited him to file with Dillard & Clark.
After three years of session work in California, together with time in the Flying Burrito Brothers, Mr. Berline fashioned his personal group, Country Gazette, and signed with United Artists Records. The band’s bluegrass mix proved influential, and it recorded for nearly 20 years, however Country Gazette by no means achieved mainstream success.
Another challenge, Byron Berline & Sundance, likewise secured a take care of MCA Records. But the group’s three founding members, guitarist Dan Crary, banjo participant John Hickman and Mr. Berline — later billing themselves as Berline, Crary & Hickman — fared finest in a conventional bluegrass market, releasing data on unbiased labels like Rounder and Sugar Hill into the 1990s.
Over the years Mr. Berline additionally supplied music for tv exhibits like “Northern Exposure” and films like “Basic Instinct.” He additionally had a minor position as a musician in the Bette Midler film “The Rose” (1979) and appeared, as half of a string quartet, in an episode of “Star Trek: The Next Generation.”
Mr. Berline in 2004 at the Double Stop Fiddle Shop in Guthrie, Okla., which he and his spouse, Bette, owned. The store burned down in 2019; a number of months later, he opened one other store on the similar road.Credit…Paul Hellstern for The New York Times
In the mid-’90s, Mr. Berline and his spouse moved to Guthrie, Okla., and opened the Double Stop Fiddle Shop, its title taken from the fiddle method of taking part in two strings at the similar time. The store burned down in 2019, consuming its stock of vintage devices. Several months later, Mr. Berline opened one other store on the similar road.
Mr. Berline is survived by his spouse; a daughter, Becca O’Connor; a sister, Janice Byford; and 4 grandchildren.
Although uncredited, Mr. Berline remarked in interviews that he did greater than play the fiddle on Mr. Dylan’s soundtrack to “Pat Garrett and Billy the Kid.”
“He said, ‘Can you sing?,’” Mr. Berline recalled, referring to Mr. Dylan in his 1991 interview.
“I said, ‘Sure.' So I got up and helped sing background vocals on ‘Knockin’ on Heaven’s Door.’”