Nearly a yr in the past, Playwrights Horizons’ new creative director Adam Greenfield unveiled a four-play season for 2021, with all of the titles directed by ladies and written by nonwhite authors.
All 4 titles — Aleshea Harris’s “What to Send Up When It Goes Down,” Sylvia Khoury’s “Selling Kabul,” Dave Harris’s “Tambo & Bones,” and Sanaz Toossi’s “Wish You Were Here” — now have opening dates as a part of Playwrights Horizons’ 2021-22 season, which is about to start in September. And the lineup has an thrilling addition: Next summer time, the nonprofit theater on West 42nd Street will current the world premiere of the Pulitzer Prize finalist Will Arbery’s “Corsicana,” directed by Sam Gold.
“I wanted to make good on the plays we had already scheduled and show that I was committed to these writers,” Greenfield, who’s now in his second yr as creative director, stated in a cellphone dialog on Tuesday. “Each of these pieces demands to be heard.”
Arbery, who was a finalist for the Pulitzer Prize for Drama for “Heroes of the Fourth Turning,” his depiction of latest conservatism that premiered at Playwrights Horizons in 2019, is about to return to the nonprofit Off Broadway theater in June 2022 with “Corsicana.” The play tells the story of a lady with Down syndrome and her youthful half brother as they grapple with their mom’s dying in a small metropolis in Texas and change into entangled with a reclusive native artist. It will probably be directed by Gold, who gained a Tony Award for helming “Fun Home” on Broadway and can be directing a staging of Chekhov’s “Three Sisters” at New York Theater Workshop within the spring that had initially been deliberate for 2020, and whose starry solid contains Greta Gerwig and Oscar Isaac.
The remainder of the 2021-22 season is about to start out in September with “What to Send Up When It Goes Down,” a ritual-as-play by the Obie winner Aleshea Harris that honors Black lives misplaced to racialized violence. A co-production with the Brooklyn Academy of Music, the present lately concluded a run at BAM Fisher beneath the course of Whitney White (“Our Dear Dead Drug Lord”), who will keep on when the manufacturing strikes to Playwrights. The New York Times critic Maya Phillips praised “What to Send Up” as “a series of cathartic experiences” for viewers members of shade at BAM.
Next up in November is Khoury’s “Selling Kabul,” a thriller set in Afghanistan that examines the human value of immigration coverage, and which will probably be directed by Tyne Rafaeli. The play was initially slated for the 2019-20 season and was in rehearsals when the pandemic closed theaters in March 2020.
“It tracks the experience of those Afghans who were left behind as we’ve been leaving Afghanistan,” Greenfield stated. “That is a subject that has been in the news increasingly over the last year.”
Then in January comes the world premiere of Dave Harris’s “Tambo & Bones,” which is being billed as a “hip-hop triptych” about two characters trapped in a minstrel present. It will probably be directed by Taylor Reynolds. In April, the theater will stage Toossi’s dramatic comedy “Wish You Were Here,” which follows greatest mates who grapple with cultural upheaval amid the Iranian Revolution. It will probably be directed by Gaye Taylor Upchurch.
Greenfield stated that a new present by the “Slave Play” author Jeremy O. Harris — “A Boy’s Company Presents: Tell Me If I’m Hurting You,” which was initially scheduled to open in May 2020 earlier than being scuttled by the pandemic — won’t be a part of the 2021-22 season, however remains to be within the works.
“There was a backlog of plays that had been discussed, and some just made more sense to reopen with,” Greenfield stated. “But I think that will be a future conversation. It’s still in discussions.”
Along with its fundamental productions, Playwrights provided particulars about its different tasks. Eleven writers have been commissioned to provide work for the second season of the theater’s scripted fiction podcast sequence, “Soundstage.” The firm can be persevering with its new efficiency sequence, Lighthouse Project, that goals to fill the durations between scheduled productions with installations, performances and occasions by in-house artists moderately than renting area to exterior teams.