The Olympics of Dressing

FLORENCE, Italy — Darwin hated peacocks. The sight of a single one of their feathers made him ailing. (Admittedly, he was a hypochondriac.) Still, the person who outlined the legal guidelines of pure choice nicely understood the evolutionary goal of shows that, in people, are sometimes dismissed as mere self-importance. So, too, do the peacocks that traditionally flock to the European males’s put on exhibits and congregate on the large males’s put on honest, Pitti Uomo.

“I don’t generally indulge in sentimentality,” Raffaello Napoleone, the chief govt officer of Pitti Imagine, the honest’s mum or dad group, mentioned on the finish of June, as he reviewed the numbers of males (they usually have been principally males) returning to an occasion that, like many Italian companies, had been all however accomplished in by the pandemic. “We managed to keep about 10,000 people safe. So I think of this as a symbolic or an actual restart for the entire Italian fashion system.”

The peacocks appeared to agree.

A double-breasted jacket worn over a pleated classic pleated skirt was Antonio Gramazio’s workaround for confronting inflexible gender binaries.Credit…Clara Vannucci for The New York TimesFew particulars went unconsidered when Jurgen Canaku dressed for Pitti Uomo, from hoop earring to diamond-shaped shades, inkings to signet ring.Credit…Clara Vannucci for The New York Times

“Pitti is this great opportunity to express again my individuality, and my vanity, but as a strong and positive message of provocation,” mentioned Antonio Gramazio, a Florentine hair stylist with a shaved head, a tidy beard and sun shades with lenses the scale of saucers. Mr. Gramazio, 36, had stepped out for day two of the honest wearing a double-breasted white silk blazer worn over a pleated skirt from one of the used-clothing boutiques that appear to abound in Florence. On his toes have been classic taupe suede pumps from Zara.

“Men are starting to be more comfortable underlining their feminine side,” Mr. Gramazio mentioned, considerably understating the case. “Above everything, my look has to be free.”

Chill leisure, if not precisely liberation, characterised the newest version of Pitti Uomo the place, in place of the social media label fiends that are inclined to parade round for the street-style photographers in matchy-matchy Gucci get-ups (mules, baggage, hats and pajamas) or patterned short-sets, one noticed lots of males improvising on what they already had of their closets or else wearing stuff they’d purchased secondhand or made themselves.

“I dress like this every day, every morning,” mentioned Christian Degennaro, 31, an editor at Switch, a digital way of life publication.

Although unlikely to gladden the center of a Pitti Uomo exhibitor (not a sew he had on was store-bought, in addition to his Yankees cap), Mr. Degennaro’s monochromatic look — a fringed cowboy shirt, grey insurance-adjuster trousers and compulsory Nikes — captured the spirit of that the majority vaporous of vogue phrases. It was directional.

Logomania is so pre-pandemic, mentioned Christian Degennaro, left, and Emanuele Tumidei, seen in both classic clothes or garments of their very own design.Credit…Clara Vannucci for The New York Times

The route had much less to do with tendencies in attire than a serious attitudinal shift. In the Puritan West, the pursuit of magnificence in gown has virtually all the time been linked to the lethal sin of pleasure. Yet pleasure has its makes use of, not least as we try to relearn what it’s to return collectively once more in actual life after far too many months spent as disembodied heads set afloat towards shimmering Google backgrounds.

“I believe totally in vanity,” Mr. Degennaro mentioned. “But, in the sense that you have to be proud of yourself and of the way you leave the house in the morning, of how you take care of yourself, how you present yourself in public.”

His buddy Emanuele Tumidei chimed in. “There’s a real difference between confidence and pure ego,” mentioned Mr. Tumidei, a designer who had created his personal drop-crotch denims with deep turned-up cuffs and a laser-printed vest/apron. (His Mounties hat and skivvy T-shirt have been web finds.)

“Vanity is a double-edged sword,” mentioned Mr. Tumidei, who’s in his 30s. “It’s important to like yourself. It’s only bad when you start to love yourself a little too much.”

Just days earlier than Pitti Uomo started, an Hermès males’s put on vogue present had closed out the official return of Fashion Week to Paris (Giorgio Armani in Milan, which preceded it, will get credit score for the kickoff) and an enthusiastic return of each an business and a pursuit that, for all its shortcomings, stays among the many strongest drivers of modern tradition.

Models stroll the runway on the Sustainable Style vogue present at Fortezza Da Basso.Credit…Clara Vannucci for The New York Times

Hardly an space of trendy life is untouched by vogue, as anybody even glancingly acquainted with TikTok, hip-hop, YouTube or the N.B.A. may let you know. While the pandemic drove the world indoors for security, an evolutionary need to preen ourselves proved robust to stifle.

In a makeshift backstage space of a nationwide furnishings depository on the outskirts of Paris, the Hermès designer Véronique Nichanian mentioned as a lot: “We’re all quite ready to come back together.”

Whether, after we do, we’re sporting Ms. Nichanian’s superrefined if largely unattainable (by mere mortals) variations of wardrobe fundamentals — many made utilizing now-fashionable precepts of upcycling — there appears little query that everybody of each intercourse or gender presentation is sick of boring pandemic plumage.

“In the middle of the pandemic, we approached Patrick Boucheron and asked him to consider what lessons this plague will teach us,” Axel Dumas, the Sorbonne-educated scion of the Hermès-Dumas dynasty, advised this reporter as company congregated for the outside present. Mr. Dumas was referring to a trendy scholar of medieval historical past. “He said that, coming out of this, we will have to reinvent beauty,” he mentioned.

A hat for city? Definitely, mentioned Cosimo Innocenti, a 20-year-old scholar, although worn atop a durag.Credit…Clara Vannucci for The New York TimesIn his equipment as in his attire, Mr. Innocenti is an unabashed maximalist.Credit…Clara Vannucci for The New York Times

This notion was as cheering because it was welcome. And maybe it influenced the lens by way of which this explicit observer got here into Florence, the place twice every year the males of the species congregate for an occasion whose enforced absence made Pitti Uomo resemble one of these uncommon and beautiful, endangered pure occurrences — just like the Monarch butterfly migration.

“Being too comfortable in your clothes is a kind of trap,” Cosimo Innocenti, a 20-year-old scholar, advised this reporter at Pitti Uomo.

Being caught up in your personal impact additionally comes with its personal set of pitfalls. Yet there was one thing lovely about seeing a younger man like Mr. Innocenti out within the sub-Saharan warmth forfeiting consolation for model as he sauntered across the honest grounds in a chalk-stripe summer time swimsuit, fingers barnacled with silver rings and a fedora cocked jauntily over his durag.

Elegance is innate, a “matter of coronary heart” greater than self-importance, mentioned Defustel Ndjoko.Credit…Clara Vannucci for The New York Times

“Honestly, elegance at the end of the day is in the heart,” mentioned Defustel Ndjoko, 45, a supremely elegant designer initially from Cameroon. “The exterior is only a small part of it.”

Mr. Ndjoko’s viewpoint was shared by Luca Lisandroni, 42, co-chief govt of the luxury-goods purveyor Brunello Cucinelli, who dedicated to the long run of Pitti Uomo by mounting his ordinary lavish stand regardless of having proven his males’s put on assortment weeks earlier in Milan.

“I don’t see it as vanity to give care to the way you look and to dressing properly,” mentioned Mr. Lisandroni, whose impeccable apparel was a far cry, he defined, from his pandemic wardrobe. “I spent 28 days alone in the apartment, so it feels like a magical moment to have a reason to dress up again. I didn’t even wear underwear, to be honest. But two years of hoodies and sweatpants is enough.”