When Aziz Ali (Farhan Akhtar), the starry-eyed gangster on the coronary heart of “Toofaan,” first comes throughout movies of Muhammad Ali, he’s hooked. Though it goes unsaid, the enchantment clearly isn’t simply the boxer’s athletic artistry — it’s additionally his chosen identify. To our hero, Ali is one among his personal.
That surname, and the religion that it represents, turns into the albatross round Aziz’s neck. In “Toofaan,” the Bollywood director Rakeysh Omprakash Mehra makes an attempt — with some success — to deepen the standard-issue sports activities drama with sociopolitical strife ripped from Indian headlines. Aziz, who hails from a lower-class Muslim neighborhood of Mumbai, finds himself imbued with new goal when he’s taken underwing by the highest boxing coach Nana Prabhu (a beautifully dedicated Paresh Rawal). The grizzled mentor sculpts his overeager scholar into a formidable expertise: a “toofaan” (storm).
Nana is a pious Hindu whose grief at shedding his spouse in a terrorist assault has calcified into Islamophobia. His ardour for the game transcends his religion, however solely to a restrict. When he discovers that Aziz is relationship his daughter, Ananya (Mrunal Thakur), he kicks them each out. “Toofaan” takes a surprisingly gritty flip at this level, switching from slick combat montages to scenes of Aziz and Ananya’s wrestle to reside as an interfaith couple in Mumbai — a metropolis the place cosmopolitanism coexists with crude bigotry.
This transient stretch of the film is its finest: life-size, attuned to on a regular basis city realities, and bravely blunt in its portrayal of prejudice. But Mehra takes the simple manner out with a contrived, tragic flip that returns the movie in its second half to the much-beaten path of the tarnished athlete preventing to reclaim his honor.
Not rated. In Hindi and Marathi, with subtitles. Running time: 2 hour 43 minutes. Watch on Amazon.