American Ballet Theater to Return to Lincoln Center in October

American Ballet Theater will return to Lincoln Center for indoor performances in October, the corporate mentioned Wednesday. Its homecoming season on the David H. Koch Theater is ready to function the world premiere of the work “ZigZag” by Jessica Lang and the stage debut of items by Alexei Ratmansky and Christopher Rudd that have been first proven on-line.

“We’ve all been drastically changed by the experience of the last 16 months,” Kevin McKenzie, Ballet Theater’s creative director, mentioned in an interview. “It’s poignant to come back to the theater because it will point out how well we have weathered the time away from each other.”

The season will start Oct. 20 with McKenzie’s staging of “Giselle,” a full-length Romantic ballet from the 19th century with music by Adolphe Adam. Six performances of the 1987 manufacturing, initially created for the movie “Dancers,” can be given by means of Oct. 24.

Lang’s new dance, set to 11 Tony Bennett songs, will comply with on Oct. 26 because the centerpiece of the autumn gala. It’s her fourth piece for Ballet Theater and the second she has choreographed to Bennett’s music for the corporate. The first, “Let Me Sing Forevermore,” was carried out all through its latest outside cross-country tour.

A piece of the season’s programming has not but been carried out indoors for audiences in New York: Ratmansky’s “Bernstein in a Bubble,” Darrell Grand Moultrie’s “Indestructible Light,” Lauren Lovette’s “La Follia Variations” and Christopher Rudd’s “Touché” have been all launched on-line in 2020 and 2021. (Lovette and Moultrie’s dances have been additionally subsequently carried out reside on the Segerstrom Center for the Performing Arts in Costa Mesa, Calif., and as part of the touring program.)

More conventional repertory can be carried out in the autumn, as properly, together with “Some Assembly Required” by Clark Tippet and Antony Tudor’s 1942 ballet “Pillar of Fire,” which was final carried out by Ballet Theater in 2015.

While McKenzie’s tenure as creative director is coming to a detailed — he introduced in March that he would step down after the 2022 season — he’s extra centered on getting the corporate again onstage recurrently and recalibrating it for the world it’s returning to than wanting backward, he mentioned. “I feel like I’ve got a task in front of me instead of some reflective moment of going, ‘Isn’t this nice?’”

Tickets for the autumn season will go on sale Sept. eight.