Overlooked No More: Sinn Sisamouth, ‘King’ of Cambodian Pop Music

This article is a component of Overlooked, a sequence of obituaries about exceptional individuals whose deaths, starting in 1851, went unreported in The Times.

Before the singer-songwriter Sinn Sisamouth disappeared, he had develop into a fixture on radio applications and in nightclubs in Cambodia and past. For greater than twenty years, from the 1950s till the mid-’70s, followers praised his clean voice and evocative lyrics about love and the Cambodian panorama.

He and his bandmates — most notably the singer Ros Serey Sothea — stood out for his or her versatile repertoire of jazz, rock ’n’ roll and fashionable Khmer ballads, amongst different kinds. Sometimes they’d use the melody of a Western track — the Beatles’ “Hey Jude,” for instance — whereas including orchestration and writing unique Khmer lyrics for it.

They performed a serious position in defining the sound of Cambodia’s fashionable music business, with Sinn Sisamouth rising as one of the nation’s most revered stars.

Then, in 1975, the Khmer Rouge seized energy, enacting a four-year marketing campaign of execution, compelled labor, illness and famine that killed not less than 1.7 million individuals. The work of artists and intellectuals was brutally repressed, and Sinn Sisamouth and Ros Serey Sothea had been among the many many Cambodians who disappeared amid the violence and upheaval.

Even now the circumstances of their deaths are unclear, although relations are sure they’re now not alive. Sinn Sisamouth’s granddaughter Sin Setsochhata stated that, primarily based on analysis by her father, her household believes that Sinn Sisamouth disappeared within the southern province of Kandal, which borders Vietnam. Some consider he died in a labor camp. The Guardian reported in 2007 that he had been shot. By some accounts, earlier than his execution, believed to be in 1976, he pleaded to sing one final track.

Many of Sinn Sisamouth’s recordings survived, nevertheless, and so they nonetheless exert a deep affect on Cambodian tradition.

“He was a pioneer,” the Cambodian musician Mol Kamach stated in “Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll,” a 2014 documentary movie, by John Pirozzi, about Sinn Sisamouth, Ros Serey Sothea and different musicians. “He was an example to other professional singers that singing modern is like this.”

Sinn Sisamouth was believed to have been born on Aug. 23, 1933, within the northeastern province of Stung Treng. (Some accounts listing his beginning 12 months as 1932 or 1935.)

His father, Sinn Leang, was a jail warden; his mom was Sib Bunloeu, in line with a 1995 article in The Phnom Penh Post.

At the age of 7 or eight, Sinn Sisamouth moved to the western province of Battambang, the place his uncle helped him develop an early curiosity in enjoying conventional Khmer music on stringed devices just like the tro khmer, a kind of fiddle, and the chapei, a lute.

Sinn Sisamouth arrived in Phnom Penh, the capital, when he was 17 and enrolled in a medical faculty there with the objective of changing into a hospital nurse, however he by no means misplaced his love of music. He carried out for sick sufferers to assist them chill out, his granddaughter stated, and spent his breaks enjoying his mandolin below a tree.

He later started performing stay on the headquarters of Cambodia’s newly established nationwide radio, and his profile rose.

“When it came to singing technique, Sinn Sisamouth was king,” Prince Panara Sirivudh, a member of the Cambodian royal household, stated within the documentary. “His voice was so beautiful, and he wrote very sweet songs.”

Popular Western music was imported to Cambodia as early because the 1940s by the royal palace and by Cambodians who may afford to journey to Europe, and the nation’s rock ’n’ roll scene started in earnest within the 1950s, in line with a examine by LinDa Saphan, the affiliate producer of the documentary and a professor of sociology on the College of Mount Saint Vincent in New York City.

The sound blended high-pitched, operatic singing with the distorted electrical guitar solos that had been fashionable in American music on the time.

Sinn Sisamouth grew to become consultant of this new fashion as a result of he had a capability to jot down each ballads and upbeat rock songs, Saphan wrote, however the voices of Ros Serey Sothea and different feminine vocalists on his recordings had been the “final touch that made this Cambodian mix so enticing.”

Early in his profession, Sinn Sisamouth was invited to carry out with Cambodia’s royal ballet; he appeared in dapper fits and bow ties, his hair combed again. He additionally traveled abroad — to India, Hong Kong and past — with a standard band fashioned by the queen’s son, Norodom Sihanouk, a composer and saxophonist (and future king) who performed a serious position in creating the nation’s cultural industries within the postcolonial period.

It was a hopeful time in Cambodia’s historical past: The nation had achieved independence from France in 1953 and was shaping its id and tradition.

As Sinn Sisamouth’s reputation grew, his former neighbors within the countryside marveled at listening to his songs on the radio. Some referred to him as “golden voice” or the “Elvis of Cambodia.”

“A medical student — how can he sing?” the villagers stated on the time, his sister recalled within the documentary.

He met Ros Serey Sothea when she was 17 on the nationwide radio station and recorded along with her for greater than a decade.

Though they had been by no means romantically concerned, “their musical conversations were love stories filled with a sense of yearning and despair, of palpable loss, yet holding out the possibility of reconciliation,” Saphan wrote.

By the early 1970s, amid a scene of go-go bands, massive hairdos and youthful exuberance, the duo had produced a number of hit songs, together with just a few for Cambodian movies. Sinn Sisamouth additionally wrote and directed the 1974 movie “Unexpected Song,” which included some of his unique music and a efficiency by Ros Serey Sothea.

The duo’s music has acquired renewed curiosity. Sinn Sisamouth is the topic of a forthcoming documentary movie, “Elvis of Cambodia,” and Ros Serey Sothea is the topic of a graphic novel, “The Golden Voice,” which is scheduled to be printed subsequent 12 months.

Sinn Sisamouth married one of his cousins, Khao Thang Nhoth, and so they had three sons and a daughter, in line with The Post. One of his sons, Sin Chanchhaya, additionally grew to become a musician.

For all of Sinn Sisamouth’s performing prowess, he was an introvert who spent most of his time alone, his granddaughter stated. Often after having dinner along with his household he would retire to his studio to compose.

“All the emotions — the spirit, the connection, the interior feelings — “were expressed through his music,” she stated.