Adam, who lives in a giant home within the Oakland hills, has a plunge pool, a sauna, and a husband who buys him, as a shock birthday present, a sequence of 100 weekly on-line periods with a Spanish instructor. The instructor is Cariño, who lives along with her mom in Costa Rica. Over the course of their work collectively, she and Adam cross the boundary from pedagogy into one thing deeper.
The setup of “Language Lessons,” even irrespective of Covid, is acquainted, even banal. Video chats and messages type an ever-larger a part of how we work together with strangers and typically make mates. The film, directed by Natalie Morales (who performs Cariño) from a script she wrote with Mark Duplass (who performs Adam), explores the methods expertise each reinforces and erases distance.
This isn’t Duplass’s first foray into found-footage filmmaking. In “Creep” and “Creep 2,” he performs a captivating, disarming serial killer whose depredations are recorded on a cellphone digicam. Adam, good and chatty and a bit grating within the standard Duplass method, is a extra benign specimen, although he isn’t initially keen about finding out with Cariño. Still, he speaks Spanish properly sufficient, and has ok manners, to ascertain an amiable, bantering rapport along with his teacher.
“Language Lessons” divides its 90 minutes into chapters, every one with a bilingual title (“Immersion,” “Comprehension”) invoking a side of language research. To break up the monotony of the two-person chat display, the actors typically stand farther away from the digicam, and typically soliloquize in non-public messages to one another.
At one level, a tipsy Cariño topics Adam to a middle-of-the-night “Happy Birthday” serenade. That’s a comic book interlude sprouting in a subject of melodrama. “Language Lessons” features a sudden off-camera demise and intimations of home violence and critical sickness. Through all of it, the teacher-student relationship intensifies and finally begins to fray.
Adam, reeling from grief, finds distraction in finding out Spanish and a sympathetic companion in Cariño. As the bond between them turns into extra sophisticated, the film begins to really feel much less like an exploration of that connection than a lesson in plot development.
Instead of creating Cariño and Adam attention-grabbing, Duplass and Morales make issues occur to them. The twists within the story are supposed to increase the emotional stakes, however they’ve the alternative impact, undermining the credibility of the premise. The more durable the film leans into its personal cleverness, the extra it exposes itself as a diverting however in the end unconvincing train.
Not rated. In English and Spanish, with subtitles. Running time: 1 hour 31 minutes. In theaters.