Here Are Some of the Photographs of 9/11

In 2002, The New York Times received the Pulitzer Prize for Breaking News Photography for its protection of the Sept. 11 assaults and their aftermath. Two a long time later, we requested our photographers to return to their work from that point and mirror on the pictures they created, and what it took to seize them. Their solutions have been edited for size and readability.


Credit…Kelly Guenther for The New York Times

I used to be watching NY1 once I noticed aircraft had crashed into the World Trade Center. I grabbed my gear and ran to the Brooklyn Heights Promenade. My companion pointed to a aircraft flying over the Statue of Liberty, and I knew what was going to occur: I used to be going to witness a whole lot of individuals die. I keep in mind pondering, “No, no, no!” But I took a breath and informed myself: “This is history. Do your job.” I put the digital camera to my face, framed the skyline huge, and I waited for the aircraft to come back into my body.

Kelly Guenther

ImageCredit…Ángel Franco/The New York Times

I strive to not suppose of that day. I witnessed the horror of New Yorkers’ loss — working mothers, dads, little children, pals. I’ve nightmares; not sleeping nicely since Sept. 11 has change into the norm. The picture of the lady frozen in time and reacting to the fall of the first World Trade Center tower.

Angel Franco

ImageCredit…Chang W. Lee/The New York Times

If I hadn’t swapped for the lengthy lens that I had on my digital camera two days earlier than; if I hadn’t gone to the west aspect as a result of the highway was blocked; if I hadn’t stopped at that second, out of breath after operating towards the World Trade Center; if I hadn’t checked out the burning tower pondering, “Wow, it looks like it could collapse any second,” if I hadn’t … I nonetheless don’t know why I used to be destined to seize that second.

Chang Lee

ImageCredit…Ruth Fremson/The New York Times

I heard glass breaking and a voice calling out by the darkness of the cloud of the fallen first tower. I crawled out from underneath the emergency automobile the place I had sheltered and made my strategy to the voice, inside the Stage Door Deli on Vesey Street. It was a surreal scene: Firefighters, police and some civilians stumbled round, catching their breath, spitting out mouthfuls of mud, lit solely by the eerily glowing lights of the show case holding chilly cuts and cheeses for that day’s sandwiches. Officer Richard Adamiak bent over, coughing. In the background of the picture is the entrance to the deli. One ought to have seen sensible sunshine streaming in on that stunning September morning. Instead, the neighborhood was engulfed in darkness.

Ruth Fremson

ImageCredit…Ruth Fremson/The New York Times

Time contracts once I keep in mind, and I’m again underneath an emergency automobile, in full blackness, with what felt like sandpaper being dragged by my throat. Then I’m catapulted by Pakistan and Afghanistan, the Second Intifada and the struggle in Iraq, after which again to the United States. Watching occasions unfold round the pullout of troops with rising dismay has triggered recollections — of pals misplaced, of seemingly futile efforts — and I’m wondering: Has all of it been in useless?

Ruth Fremson

ImageCredit…Krista Niles/The New York Times

It took me a very long time that morning to discover a covert well beyond the police barricade perimeter to the place the towers fell. As I climbed over precarious piles of rubble, two firefighters caught my eye. They had been strolling shortly and I may hear their dialog. I realized they had been looking for a firefighter from Ladder 21, whom they’d simply discovered. They rushed previous me, and I raised my digital camera as they informed him that his brother, additionally a firefighter, was identified to be inside one of the towers when it collapsed and was believed to have died. His shoulders fell, and he was embraced in a second of shared grief. Initially, I wanted the firefighters’ faces had been extra seen in the picture. However, over the years I’ve come to understand their anonymity. For me, they’ve come to represent the deep loss so many individuals skilled that day.

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Krista Niles

ImageCredit…Andrea Mohin/The New York Times

This is on the Brooklyn Bridge simply after the second tower collapsed as an exodus of survivors slowly made its method out of the smoke and into the daylight. I bumped into Joseph Sylvester, who mentioned he labored at the World Financial Center. He was lined in ash, and his head was bleeding from a chunk of particles that had fallen on him. He mentioned he was in search of his father, who labored in the space. I’ll always remember how calm and quiet they had been. I believe everybody should have been in shock — simply silently, slowly making their strategy to security.

Andrea Mohin

ImageCredit…Krista Niles/The New York Times

This photograph of Michele Defazio stays, for me, a reminder of the kindness of strangers. I believe of her each Sept. 11. I watched Michele stroll alone towards the Bowery, the place a lacking individuals reporting station had been arrange. Carrying her do-it-yourself fliers together with her husband’s photograph, her grief and fear overwhelmed her, and she or he paused for the briefest of moments. Strangers on the avenue additionally paused to consolation her. The second was fleeting. Soon after this photograph was awarded a Pulitzer Prize, I referred to as Michele. It was necessary to me that she knew her story was important to historical past. We had a brief, considerably awkward dialog given the unusual connection we now shared. She informed me she was nonetheless engaged on accepting the loss of her husband and had arrange a scholarship fund in his title. In the days following the assault, we might study that 658 Cantor Fitzgerald workers — together with Michele’s husband, Jason — died in the assault. I later lined their memorial service, crying myself whereas making pictures of the huge sea of individuals who had come collectively of their grief.

Krista Niles

ImageCredit…George Gutierrez for The New York Times

My task was a funeral in Yonkers, for an E.M.S. employee killed in the assault. The world press was there, too, however after the burial they packed up their gear and left. I stayed for a tribute by the E.M.T.s that included a salute and music from a growth field. I shot three frames in the rain, at the finish of a roll, when Jay Robbins teared up. I’ll always remember the way it occurred proper when the music began enjoying. For me, it’s been troublesome to take a look at this photograph. It nonetheless breaks my coronary heart.

George Gutierrez

ImageCredit…Paul Hosefros/The New York Times

What sticks with me isn’t the hearth, not the crushed grey concrete of the Pentagon, however the sensation of the cool fall air and the unrelenting blue sky. Pieces of inexperienced jet construction had been underfoot. I had solely moments to shoot earlier than rescue groups and others dominated the scene. I knew that house nicely. It was on my method house from the bureau day-after-day. I had met two of the individuals on that aircraft. By the time fighter jets handed overhead — as if in silent, angered tribute — I knew American life would by no means be the similar.

Paul Hosefros

ImageCredit…Nancy Siesel/The New York Times

In the weeks following Sept. 11, I used to be assigned to photograph the aftermath — a panorama in Lower Manhattan and Brooklyn that was irrevocably altered. There remained a bitter, burned odor in the air, and fragments of paper had been carried by the wind all the method into Brooklyn. As I used to be driving, I noticed a hearth truck with blown-out home windows, now not pink however lined in white ash and particles, which had been towed again to the firehouse, Engine 226. When I glanced to my proper, I noticed an emotional second unfolding, and I quietly took two photos. Lt. Matt Nelson, left, reacts, as Tom Casatelli, the truck’s sole survivor of that day, embraces the son of his fallen comrade Lt. Bob Wallace. It is a second that also haunts me.

Nancy Siesel

ImageCredit…Ruth Fremson/The New York Times

After the terror assaults, individuals put apart their variations for a time. American flags flew from home windows on Park Avenue. Memorials, like this one in Union Square, sprouted up round the metropolis. Prayer and candlelight vigils had been held frequently. People reached out and supported one another: The nation grieved collectively. Twenty years in the past we had been torn aside, however we got here collectively, attempting to be the greatest variations of ourselves. As we tear ourselves aside twenty years later, I can’t assist however ask: Who received?

Ruth Fremson

ImageCredit…Suzanne DeChillo/The New York Times

Saturday, Sept. 15, 2001, exterior St. Francis Assisi Church for the burial service of Mychal Judge — a Franciscan friar, priest and chaplain to the New York City Fire Department — who died on Sept. 11 whereas administering final rites at the World Trade Center. I used to be not allowed to maneuver inside to photograph dignitaries and audio system: That turned out to be a blessing. The church was full, however a crowd gathered in entrance of the Engine 1/Ladder 24 firehouse reverse the church, a crew of principally firefighters, some in outdated uniforms. At the finish of the homily, Judge’s buddy and fellow friar Michael A. Duffy requested everybody to face, increase their proper palms and provides Mychal, who had blessed so many individuals in life and demise, a blessing. The crowd in entrance of the hearth home raised their palms and repeated the benediction that he had given to so many others. And I too was blessed.

Suzanne DeChillo